Unlike metal in the '80s or grunge in the '90s, nu-metal was not dominated by caucasian men. Geiger (whose work inspired Alien ) and Spawn comic creator Todd McFarlane. Other groups adopted imagery from horror icons H.

Singers like Korn's Jonathan Davis expanded upon pervasive post-9/11 pessimism, tackling complex subjects like child abuse, suicidal thoughts, and depression. Its lyrics combined hip-hop's political history and metal's brutal aggression to create a sound that resonated with disaffected, sometimes isolated - a clear deviation away from the proto-masculine themes of 1980s metal. While nu-metal was ripe for a wide variety of expression, the genre generally promoted individualism, breaking with tradition, and political anarchy. Groups such as Cypress Hill, Korn and Linkin Park featured a DJ and incorporated rapping. Nu-metal took this further, often employing slow tempos, down-tuned guitars, and distorted string instruments. Nu-metal took cues from early '90s alternative scenes where thrash-inspired bands such as Faith No More, Nine Inch Nails, Primus and Ministry mixed industrial, electronic, and metal music to create a dark, moody sound. The genre was severely theatrical, melding the brash, guitar-forward instrumentation and screaming lyricism of metal with rap’s poetic delivery and drum machines. Around the turn of the millennium, adolescent rage was personified by an anarchic blend of rap and rock, which gave birth to a new genre: nu-metal.

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